In its early days in the 1920s, Castle Heights was just a grassy hill at the end of the streetcar line, with a clear view of the Amicable building downtown. The city of Waco has since grown miles beyond the hill, and oaks and magnolia trees have grown up to shade the neighborhood. Through the decades, Castle Heights has remained a prime address for the Waco establishment, impervious to inner-city blight.

Castle Heights has an unusually strong identity as a neighborhood. The construction of the earliest homes, circa 1888, lay outside Waco city limits, and when developers plotted the neighborhood in 1923, they expected it to serve as an elite residential area marketed to the professional and upper class. Residents fought back in court in the 1930s when Waco sought to annex them. The neighborhood incorporated as the Village of Castle Heights in 1939 and elected a mayor, A. Baker Duncan, father of modern-day civic leader Malcolm Duncan. However, the village disbanded in 1945 and was annexed into the city of Waco.

Castle Heights, with its then-novel curving streets, was an example of the early twentieth-century City Beautiful Movement, an urban planning philosophy that sought to link social issues to architectural design and encourage civic pride and engagement. Large plots of land with space for big backyards and attached garages attracted potential residents.

The eclectic architectural styles of Castle Heights provide good examples of design from several different time periods, including Colonial Revival, Tudor Revival, Spanish Eclectic Revival, and Minimal Traditional homes. Following World War II, the neighborhood saw a large boom in construction of homes in the ranch style. Many houses are also notable because they were designed by famous Waco architectural firms such as Birch D. Easterwood and Son, or designer of the Amicable building, Roy Lane.

Through over a decade of effort by neighborhood leaders, Castle Heights became Waco’s first historic district listed on the National Register of Historic Places in 2009. The district included on the historical marker encompasses most of the area north of Austin Avenue from Thirty-Third Street to Thirty-Ninth Street, including Cottonland Castle, the 1890s Gothic stone structure on Austin Avenue that gave the neighborhood its name.

Today, Castle Heights remains one of the most sought-out neighborhoods in the city. Its well-preserved homes serve as physical evidence of twentieth-century architectural and urban design in Waco. 

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Near the turn of the twentieth century, a booming cotton industry was quickly establishing Waco as one of the major urban centers of the South, encouraging many residents to more readily invest and spend their money locally. In 1890, local stone contractor John Tennant decided to build himself a new home after striking a deal with banker J. W. Mann. The deal provided Tennant with a plot of land in exchange for a stone obelisk to mark the Mann plot in Oakwood Cemetery. Tennant took leftover stone from his latest construction job, the Provident Building at the corner of Fourth Street and Franklin Avenue, in order to begin construction on the basement and foundation of his new home, situated at the outskirts of the city.

The reality of Tennant’s financial situation did not quite match up to his grandiose dreams. After struggling to make ends meet, he sold the unframed house to cotton broker Ripley Hanrick in 1906 under the agreement that Tennant could continue to do the stone work on the house. However, when financial difficulties continued, the pair abandoned the house in 1908.

A few years later, local investors employed Roy E. Lane to construct the elite Huaco Club in the same area as the castle. Some expressed concern over the abandoned and unfinished home, but Lane saw the building as a blank slate of potential. He convinced notable Wacoan and Civil War veteran Capt. Alfred Abeel to purchase the home in 1913. Abeel employed Lane to complete the frame. Lane transformed the frame into a castle complete with three stories and a basement, eight fireplaces, servants’ quarters, and a tower. Modeled after a small German castle along the Rhine River, white sandstone and small amounts of limestone composed the exterior of the house. The interior accents varied by room and floor, including imported materials such as Caen stone from France, Carrara marble from Italy, and Honduran mahogany paneling.

In 1941, Irene Pipkin, whose family owned the Pipkin Drugstores, purchased the home and moved in with her daughter and son-in-law. When she passed away, the castle passed to her daughter, Pauline Pipkin Garrett, Waco’s first female pharmacist. Pauline and her husband Barney Garrett resided in the home for many years.

After Pauline passed away, her will stated that Garrett could retain the home until he no longer wished to reside in it. When Garrett decided to move out, the home entered its only period of public use when it passed to the Austin Avenue Methodist Church. The church found the home to be an ideal place to host youth events, but the expense of keeping up the home soon became too great. The church sold the home to Jack Schwan in 1969 for $50,000.

The Schwan family fixed many of the issues in the home arising from age and disuse, and also renovated the second floor, following a tropical fantasy theme. In 1977, the Schwans applied for and received a historical marker for the home. The family attempted to sell the castle in 1982, believing it to be worth close to $1.25 million after the renovations. However, the high price frightened away many interested buyers.

Jack Schwan finally found a buyer in 1991 after cutting the price of the castle drastically. Over the next two decades, the home passed through various owners’ hands and fell into disrepair. Many owners found the castle too large and in need of too much maintenance to be a financially feasible home. In 2014, the home sold again and a new group—led by Oxford scholar Dirk Obbink, contractor Tom Lupfer Jr., and architect Sterling Thompson—has begun the process of renovating the castle. 

In 2019 Cottonland Castle was purchased by Chip and Joanna Gaines of the famous retail empire Magnolia Market and they finished rennovation of the structure in summer 2022.

The castle will always be a striking hallmark of the Castle Heights neighborhood, and the impressive home continues to stand as a quiet reminder of the importance of the cotton industry which once brought prosperity to Waco. 

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Meticulous and exacting, prolific Waco architect Milton W. Scott crafted a legacy throughout the city that has withstood the test of time. Today, his historic buildings stand as hallmark pieces of Waco’s rich history.

Born in New Orleans on August 23, 1872, Milton William Wallace Scott came from a long line of Scottish engineers, inventors, and builders. When his family moved to Waco following his father’s death in 1883, Scott found work as an apprentice carpenter at the age of eleven in order to support his widowed mother and three sisters. Although he never received a formal college education, Scott loved to read and study, and after his mother remarried, he began to work as a draftsman for his stepfather John P. Powers.

Scott left his stepfather’s business in 1906 when he began to collaborate with Glenn Allen on the design of First Baptist Church of Waco. At that same time, the pair also began to draw up plans for the construction of the Artesian Manufacturing and Bottling Plant (now, the Dr Pepper Museum and Free Enterprise Institute). In 1907, he began working with noted Waco architect Roy E. Lane to design various private homes as well as the Rotan Grocery Company and the Brazos Investment Company.

As his reputation throughout the city grew, Scott received additional jobs which would cement his reputation as a Waco icon. In 1910, he partnered with T. Brooks Pearson on the design of Waco High, an elaborate three-storied project costing $140,000 (over $3 million in 2015) at its completion in 1913. During that extensive project, Scott met and married Ivy Eugenia Thompson Haythornwhite. The couple later had two children. By 1916, the couple purchased a family home at 617 North Fourth Street (as indicated on the Waco History map), and Scott designed and built a cluster of cottages and apartments around the home to rent out. Following 1913, Scott left his partners and branched out into his own work, though he sometimes employed associates and draftsmen to help with the workload.

Scott’s meticulous nature produced impressive architectural structures, but also frustrated many contractors. After his death, his son noted that Scott thought it was as his duty, as the on-site representative of the building’s owners, to oversee each detail of the construction process. Although his exacting demands may have produced some irritation, the results were unquestionable, as evidenced by the durability and strength of his designs. For instance, Scott designed many of the surviving multistory buildings of the 1953 tornado which devastated much of downtown Waco.

Scott’s work consumed his life. He took only two vacations during the last fifteen years before his death and worked tirelessly to ensure the quality and craftsmanship of his buildings. He designed buildings for various groups throughout the city, including eighteen public school buildings, portions of the Waco Methodist Home, Temple Rodef Shalom, and various buildings on the campuses of Baylor University and Texas A&M.

Though he had become well known throughout Waco and Central Texas, Scott scrambled for jobs after the Depression hit. He had been working to design an apartment complex as a personal project, but he lost most of his savings in the economic downturn. He struggled to find architecture commissions, and financial hardships compounded upon pre-existing health problems. He passed away in 1933.

Though some of Scott’s iconic work was torn down or destroyed during urban renewal in the 1960s, many of the buildings he designed still stand today. Structures such as Waco High and the Roosevelt Hotel convey this city’s great history while serving as reminders of Scott’s incredible work and lasting legacy.

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One of the “go-to” guys for erecting temples to prosperity in Waco during the ragtime era (1900-18), was Roy Ellsworth Lane, who helped establish some of the earliest architectural professional organizations in Texas.

Though his structures would become well-known fixtures of Texan cityscapes, Lane spent the early part of his life in the Midwest. He studied at the University of Minnesota, where he earned degrees in architecture and civil engineering. He first practiced designing buildings in Kansas, but Lane relocated to Texas in 1907. After settling in Waco, he joined the Sanguinet and Staats architectural firm.

Lane quickly earned a reputation as a skilled architect. During the next thirty years, he designed numerous buildings in Central Texas, including the old Waco Public Library, the Hippodrome, warehouses and hotels in the business district, several schools for Waco public schools, as well as collaborating on the 22-story ALICO building, which continues to dominate the Waco skyline.

He designed courthouses in Bosque and Runnels Counties. He also designed local churches, some of which still stand, such as First Lutheran, and St. Francis on the Brazos Catholic Church. Lane’s talent can be seen throughout Waco in the number of local homes he designed for the captains of industry and other tycoons.

Much of his work can be seen, from his own portfolio, in the holdings of the Texas Collection at Baylor University. It contains sketches in his own hand as well as images shot by Fred A. Gildersleeve, the era’s leading commercial photographer.

An example of one commission is the Cottonland Castle, the stone edifice originally erected in 1890 by stone contractor John Tennant. Lane was brought in around 1910 to finish the work started at 3300 Austin Ave. When Waco’s cotton-based economy boomed, Tennant, who worked on the Provident Building and used the leftover stone on his own property, prospered as well.

That same year, Lane also designed the Flowers House (a recorded Texas Historic Landmark since 1998), 600 W. Third St. in Eddy. It was the home of local cotton-gin operator Felix A. Flowers (1870-1950) and his wife, Lucinda Mixson Flowers (1875-1949), a local social and civic leader. It is an example of the craftsman-style homes Lane mastered: the low-slung, one-story bungalows using native materials such as timber or stone, also incorporating arts-and-crafts-style light fixtures and stained glass as an integral part of the home’s wide-open floor plans. The house remained in the family of the original owners until it was sold in 1957.

Until the mid-1930s Lane lived in Waco at 520 North Fourteenth Street (see pin on the map). In 1936, Lane moved his practice to Dallas. Among his best-known works there were the Southwestern Motor Freight Bureau, the Haggar Slacks Company plant, and the Guiberson Corp. office building.

He also was the first state parks architect, an appointment he earned in 1934, after designing the facilities around White Rock Lake, in the Dallas area, for the Civilian Conservation Corps.

Lane was among the founding members of the Texas chapter of the American Institute of Architects and the Texas Association of Architects and served as president of the TAA from 1918-19. In 1954 he was elevated to an honorary membership in the Dallas Chapter of the American Institute of Architects.

Lane died in Dallas on Aug. 7, 1956, and was buried at Restland Memorial Park.

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Built in 1912, the Huaco Club was very much a playground for Waco’s wealthier residents. From golf and tennis to social events, affluent Wacoans enjoyed spending time at the country club, located near Sanger Avenue and Twenty-Ninth Street.

Desiring to create a membership-only leisure space that would be comparable to those found in larger cities, several leading society figures organized and signed the charter for the Huaco Club on May 20, 1910. The charter called for $40,000 to be raised with 200 members purchasing shares of $200 apiece. The charter stated: “The purpose for which this corporation is formed is to support and maintain a country club for the promotion and encouragement of outdoor life, the games of golf and tennis and other innocent sports and amusements.” In 1913, the shareholder number met its goal. By October 1915, it had 183 stockholders with 63 associate members.

Roy E. Lane, the respected architect behind the Amicable building and St. Francis on the Brazos Catholic Church, designed the three-story building to suit the leisure preferences of Waco’s affluent. The clubhouse included two dining rooms, offices, living rooms, a parlor, reading room, and ballroom. Its spacious fifty acres allowed room for a bowling alley, tennis courts, and a nine-hole golf course. In fact, the Huaco Club was the first golfing facility of its kind in Waco.

The club was more than just about sports—it was a meeting place for many Wacoans and out-of-town visitors. Many well-known Waco businessmen and prominent male and female citizens were on its membership rolls. The club frequently hosted “high-society” functions such as luncheons, dinner parties, dances, weddings, and banquets. 

Unfortunately, the success of the club was to be shortlived. On January 4, 1917, the Huaco Club lost its clubhouse and surrounding structures to a devastating fire. The next morning’s Waco Morning News reported: “Not a stick of the building or its contents was saved.” The club’s president, Dr. J. W. Hale, estimated that the fire’s destruction of the facility amounted to $70,000. In 1917, that was a hefty sum—in today’s money, that would equal nearly $2.3 million. Apart from the clubhouse and its furnishings, the club’s stock of golf equipment for sale and members’ personal gear were lost as well.

A report published soon after the fire in Safety Engineering, “Recent Fires and Their Lessons,” stated “Cause unknown” for the Huaco Club fire. But fire investigators concluded that losses were aided in part by the club’s late fire alarm system causing a delayed response by firefighters. It was also believed that its construction of easily combustible material enabled flames to quickly engulf the structures.

Even though the Huaco Club and its contents were insured for approximately $26,000—far less than the $70,000 loss caused by the fire—plans for another golf facility soon went forward. Chartered on August 27, 1917, and built circa 1920, the remaining club members opened a new facility, Spring Lake Country Club, at Day’s Lake in what is now Lacy-Lakeview. It included a larger course with eighteen holes and an elaborate clubhouse. In a similar fashion as its predecessor, the new club continued to carry on various recreational as well as social functions. Meanwhile, the land the club occupied around Twenty-Ninth and Sanger Avenue was developed into one of Waco’s early “suburbs."

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For over a century, the Hippodrome Theatre has stood as a downtown home for ever-changing forms of entertainment.

The venue emerged in the early twentieth century through advocates for a downtown theater banding together. A group of local businessmen, organized by Thomas Finnegan, hired architects to design a structure dedicated to live performances and cinema. In 1913, ground broke on what became an iconic piece of the city’s architecture, designed by Waco’s own Roy E. Lane and Dallas architects Otto Land and Frank Witchell. On February 7, 1914, Wacoans gathered at 724 Austin Avenue and paid ten cents a ticket to view the grand opening of the Hippodrome Theatre, featuring a live seal act, magic show, and five-piece orchestra.

For many years, the Hippodrome served as a hub of downtown entertainment. Locals came to know the theater managed by J. P. Harrison and well-known theater entrepreneur Earl Henry Hulsey as “Hulsey’s Hipp.” Vaudeville troupes and silent films filled the theater’s early bills. As the popularity of moving pictures steadily grew, the Hippodrome—an affiliate of Paramount Pictures—steadily began to replace live acts with silent films.

A production booth fire in 1928 destroyed much of the forward portion of the building and brought about serious changes. Louis Dent of Southern Enterprises reopened the theater in 1929 with a new name and a new face. A redesigned Spanish Colonial Revival-style façade and cool air-conditioned air greeted moviegoers at the Waco Theatre. A few years later, new equipment allowed the theater to catch up with local rivals, such as the Orpheum Theatre on Sixth Street, which were already playing talkies. In 1931, the Waco Theatre played its first movie with sound.

The Waco Theatre continued the Hippodrome’s tradition, serving as a prominent figure in the Texas entertainment industry. Visitors from small Texas towns filled downtown Waco on the weekends and caught a show at the Hippodrome in the evening. Big-name performers drew large crowds to the movie theater. Duke Ellington, Cab Calloway, and Fanny Brice each stopped at the theater in the 1930s, and Elvis Presley once caught a show at the Waco Theatre during his time stationed at Fort Hood.

In 1936, new construction added a second story to the grand theater, and two more renovations followed in the 1950s and early 1970s. However, more challenges loomed ahead. By the mid-twentieth century, attention had shifted to suburban areas, and many businesses headed out of the city. Although the theater survived the 1953 tornado unscathed, much of downtown did not. The Twenty Fifth Street Theater began to draw away the downtown audience, and the construction of Twin Cinema in the 1960s brought more customers to the suburbs. The last movie played at the Waco Theatre on December 15, 1974. The building sat vacant for over six years.

The Junior League, the Cooper Foundation, and local volunteers banded together in the 1980s to undertake a restoration project, leading to the reopening of the Waco Hippodrome Theatre on February 28, 1987. Listed on the National Register of Historic Places and operated by the Waco Performing Arts Company, the historic theater began to draw visitors back to Austin Avenue once again with live performances. However, the success was short-lived. The steady popularity of suburban theaters kept attendance low, and maintenance for the historic structure proved too costly for fundraisers to maintain. The theater closed again in 2010.

Local developers Shane and Cody Turner purchased the property in 2012 with a vision for adapting the structure. While retaining the building’s historic look, the brothers added a wall to the second story to allow two films to be shown at once and renovated the second floor lobby into a bar. A modern addition on the Eighth Street side of the theater features a restaurant and concession stand. The Hippodrome reopened in November of 2014.

In 2020, parts of the theatre were once again closed for renovations. Now used primarily as a concert hall and adaptive event space, the Hippodrome continues to bring people together and is a centerpiece of Waco’s entertainment scene.

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After the Amicable Life Insurance Company opened for business on April 2, 1910, the owners began searching for a location to house their new business. The owners of First National Bank, located at Fifth Street and Austin Avenue, also served as members of the board of trustees for the Amicable Life Insurance Company (ALICO). The bank owners decided to sell their lot to ALICO, and in 1910, the insurance company demolished the old bank to break ground for the new building.

Construction began in August of 1910 on what was originally planned to be an eight-story building. Yet when the Adolphus Hotel in Dallas planned a taller building, ALICO increased the number of floors to seventeen. The hotel also increased its planned height, and ALICO ultimately decided to construct a twenty-two-story building. Construction finished exactly one year later in August of 1911. The Amicable building stood out from other buildings in the South in many ways. Though most buildings at this time were composed of concrete or masonry, the Amicable building boasted a steel frame. Also, the elevator system within was quite advanced for the time. In addition to these modern innovations, the ALICO building stood as the tallest building west of the Mississippi River and south of the Mason-Dixon line until 1929.

The building itself stands for the strength and stability of the Waco community and of downtown. While many businesses have come and gone throughout the history of downtown Waco, the ALICO building has stood strong since its creation in 1910. It weathered everything in Waco, from the Waco tornado of 1953 to urban renewal. The architects, Sanguinet and Staats of Fort Worth and Roy E. Lane of Waco, wanted to design a building that could survive any major catastrophe. They designed the building with a steel frame that could resist a hurricane-force wind. The bottom half of the outer façade was composed of granite and other stone, while the top was made of brick and terra cotta. It was designed to be sturdy but to have a look that was classic and appealing to the eye.

The first few floors of the building housed the First National Bank. The fourth floor through the twentieth all contained the same floor plan for office spaces, while floors above the twentieth consisted mostly of storage space. The Amicable building became the center of downtown, making its office space highly desirable and the shopping center immensely popular. People came to the Amicable building not only to shop but often just to marvel at the building itself. Until the mid-1940s, the ALICO building was bustling and full of offices that were not necessarily ALICO offices. For instance, radio station WACO was founded on the eighth floor of the building. This changed when the Amicable Life Insurance Company rapidly grew and needed to start buying back some of the offices because of their growing need for space.

The ALICO building has not only served as office space, however. The tower became Waco's crisis center following the 1953 tornado that struck the surrounding downtown area and claimed 114 lives. The building suffered only superficial damage and, having been built with its own generator, was the only major downtown structure with electricity. Medical and military officials coordinated search parties and rescue efforts from the First National Bank on the ground floor.

In 1982, the Texas State Historical Commission designated the ALICO building a historical landmark. The state uses this program to commemorate and preserve sites that have impacted state history. The first of its kind in the Southwest, the ALICO building became the focal point of activity in Waco for generations. Today, the ALICO building still towers above the Waco skyline, holding the offices of the now American-Amicable Life Insurance Company of Texas, as well as providing office space for other businesses located in downtown Waco.

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On May 31, 1851, four charter members established the First Baptist Church of Waco. These members reached out to prominent missionary and Texan Rev. Noah T. Byers, offering him a salary of seventy-five dollars per year to pastor the church. The church initially was composed of only fifteen members and met in the meeting place of the First Methodist Church until obtaining a brick building of their own at Fourth Street and Mary Avenue in 1857. The construction of this first building was a community effort. Church member B. D. Arnold provided the brick from his own brick-laying company, and committees within the congregation ensured that the church’s basic needs such as lamps and pews were fulfilled. When completed, the church was one of the most impressive structures in Waco at that time.

A fire demolished the brick structure in 1877, and construction on a new church began almost immediately. Though the building efforts were not completed until 1883, the base floor was finished by 1880 and in use by the congregation for worship. At this time the church entered a period of innovative change under the leadership of B. H. Carroll. For the first time, women were allowed to serve as deacons in the church and worshippers implemented the use of musical instruments in their services. Carroll was known throughout the Baptist community for his profound theological knowledge and fierce leadership style. In 1870, the congregation appointed him pastor after he gained recognition in the local community for a revival hosted at New Hope Baptist Church earlier that year. He regarded his position as pastor as a commitment to be deeply honored and missed only one Sunday service throughout his time as pastor at First Baptist Church. In 1883, the First Baptist Church of Waco was invited to attend the Southern Baptist Convention in Richmond, Virginia, for the first time. Carroll served as pastor at First Baptist until 1899, when he was called to serve as a secretary for the Texas Baptist Education Commission.

In 1915, First Baptist Church’s longest-serving pastor, Dr. Joseph Martin Dawson, began his tenure. Dawson primarily focused upon social issues, as well as the church’s budget. During construction of the new church in the late nineteenth century, the church had incurred a significant amount of debt. Dawson worked to eradicate this, focusing on the budget even during the Depression, sacrificing his own salary in order to save the church money. During the Southern Baptist Convention’s 75 Million Dollar Campaign from 1914 to 1924, the First Baptist Church was assigned to raise $200,000, the largest portion given to any church. Dawson often preached about social justice issues such as racial and gender prejudice, as well as about the separation of church and state. In addition to his position as pastor of First Baptist, Dawson held many other leadership positions in the Baptist community. For instance, he served as the president of the Baptist General Convention of Texas in 1922, the chairman of the Southern Baptist Committee on World Peace in 1945, and the chairman of the Executive Committee of the Southern Baptist Convention from 1945 to 1946.

First Baptist Church of Waco was highly involved with the establishment of quality education in Waco. It has been credited with the establishment of the Waco Classical School, which later became Waco University. This school was the first coeducational university in the South, and the second in the United States after a department for girls was added in 1866. In 1886, Waco University merged with Baylor University. First Baptist Church also aided in the creation of the Southwestern Baptist Theological Seminary in Fort Worth and the George W. Truett Seminary located at Baylor University. The church also contributed to the founding of the Hillcrest Baptist Medical Center in 1919.

Today, First Baptist Church continues to serve the Waco community through its dedication to worship, social justice, and commitment to higher education. Baylor University and First Baptist Church have retained a strong relationship since 1886 through Baylor’s many students, administration, and staff who worship at the church. The church continues its legacy of supporting the Waco community through ministries which aid groups such as Waco’s schoolchildren, disabled, and low-income families.

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The founding of St. Francis on the Brazos in 1924 marked the return of Franciscan missionaries to central Texas after a century’s absence. At the invitation of Rev. C.E. Byrne, the bishop of Galveston, Spanish Franciscan missionaries settled in Waco to serve the poor Mexican American community of the area. After their first wooden mission burned to the ground in 1928, the missionaries petitioned to have a stone structure built. The Galveston diocese funded the project and hired Roy E. Lane, a Waco architect, to design the church. Lane designed several other notable Waco buildings including the Hippodrome Theatre and the twenty-two-story Amicable building (later known as the ALICO building). The parish community held fundraisers for the building project and many members donated their services as laborers. The new building opened its doors to parishioners in 1931. 

 The exterior of the church is a near replica of the famous mission of San Jose de Aguayo in San Antonio. In fact, the ornamental stone façade depicting Saint Joseph on the exterior of the church is a facsimile of the one adorning San Jose de Aguayo. Yet some differences exist. The interior of the church is unique, styled in a modern adaption of Spanish Renaissance themes. This allows for the integration of multiple cultures in the interior art. The plaster interior of the church is stylized after Moorish and Spanish designs, and the altar is composed of Italian marble imported from Rome. Above the altar hangs a crucifix modeled after the miraculous Limpias crucifix at the Church of St. Peter in Santander, Spain. Perhaps the most unique element of the church is the enormous mural painted on the wall behind the altar depicting the history of Franciscan missionary efforts in Texas.

 In 1962, Rev. Mate Ramis, the priest of St. Francis on the Brazos, wrote to the Daughters of Mercy in Spain requesting that they expand their order to the United States. He hoped that the sisters would aid the Hispanic community in Waco by providing religious education classes. The Daughters of Mercy was founded in 1856 as a religious order of women dedicated to serving small, poverty-stricken villages in Spain. Four Spanish sisters responded to the call, though three of them had yet to take their final vows. After arriving in Waco and completing their vows, the sisters offered kindergarten classes on weekdays and religious instruction on Sunday afternoons. In 1987, two of the nuns left Waco to serve a parish in Austin. The remaining sisters taught 140 children and almost 400 Confraternity of Christian Doctrine (religious education) students. When new amnesty laws passed in Texas, the sisters worked with officials to legalize 300 Hispanic families in the area.

 Throughout its long history, St. Francis on the Brazos Catholic Church served as a spiritual and cultural anchor for Waco’s Hispanic community. The church tied the surrounding neighborhood and businesses together, offering a place of respite for residents. Many parishioners were immigrants struggling to make a new home in America, and in addition to providing a comfortable worship environment, the church offered ties to Hispanic culture. The church also provided English language and citizenship classes to help immigrants acclimate to their new home. In the 1960s, urban renewal demolished the homes and businesses in the surrounding area, changing the face of the community drastically. Despite the passage of time, St. Francis remains a mainstay of the Hispanic community in Waco.

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